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As to capture the Archbishop of Canterbury and spot him below arrest or in prison. In any case, the four knights responsible for the murder did not possess a written order in the king. (Duggan 2004, p. 208). Benedicto Abbate Pertriburgensi, Sancti Thomae cantuariensis arch.-Vita decima-, PL 190, 276A. For a essential account of this detail and its occurrence, see (Jamison 1992, p. 71). This discrepancy insists on two different critical-attributive orientations relating to the interpretation of the Byzantine component within this panel, the mode of that is traced back towards the well-known Cross from this church and now in Spoleto Cathedral. For an updated overview, see (della Valle 2012, pp. 1097). Generally on medieval Limousin production, most recently, see (Caudron 2011, pp. 2335). Other examples dated to just before 1220 (the year in which the relics of St Thomas Becket have been moved to Canterbury Cathedral) are in the cathedral of Lucca and in St John Lateran in Rome. Each the Lateran and Anagnine caskets are reproduced much more lately (Nilgen 1995, pp. 1050, Figures 167). Among 1167169, through the reign of Henri II, the enamellers benefited in the patronage from the Plantagenet loved ones. Henry II, King of England (1154189), chose the religious complex of Grandmont Abbey, dependent on Saint-Martirial in Limoges, because the seat of the dynastic pantheon. It appears logical that in the reign of Henry II onwards, the Plantagenet dynasty sponsored a production with the subject matter from the final moments with the archbishop’s earthly life so as to make Vonoprazan Description amends for the alleged murderous conspiracy. See (Luthan-Hassner 2015). For its variations also in relation for the mobility of workers, see (Privat-Savigny 2014, pp. 810). See (Vogt 2010, pp. 1178) The report, even so, makes no mention on the Anagni specimen. For the most current chronological attribution from the 1st Master of Anagni’s perform inside the crypt of St Magnus. See (Quattrocchi 2021a, pp. 1419). For the description on the scene, see (Bianchi 2003, p. 154). Benedicto Abbate Pertriburgensi, Sancti Thomae cantuariensis arch.-Vita decima-, PL 190, 276A: “Jacente autem adhuc in pavimento in sanguine alii oculos suos liniebant, alii vasculis allatis, quam poterant, partem subripiebant, alii certatim praecisas veste intigebant: nec sibi quisquam postea visus est satis fuisse beatus, qui non de pretioso illo thesauro quantulamcumque reportasset portionem. Et quidem conturbatis et confusis ominibus, licuit singulis quidquid libuit. Pars autem cruoris, quam ecclesiae dimiserant, in vas mundissimum mundissime collecta in ecclesia reponitur conservanda”. Joanne Decano Salisburiensi-Alano Abbate Tewkesburiensi, Sancti Thomae cantuariensis arch.-Vita quarta e quinta, PL 190, 208B: “In his omnibus persecutorum non quievit furor dicentium corpus proditoris inter sancots pontifices non esse humandum, sed projiciendum esse in paludem viliorel vel suspendendum patibulo. Unde sancti viri qui aderant vim sibi timentes inferri eum in crypta, ante quam satellites Satanae, qui ad sacrilegia perpetranda convocati fuerant, convinerent, ante altare sancti Joannis Baptistae at sancti Augustini Anglorum apostoli in sarcophago marmoreo sepelierunt”. The abbreviation can be completed as [AR]CHIEP[ISCOPU]S. The museum is at present being reorganised. It is actually divided into a section with archaeological finds in addition to a image gallery in which the above-mentioned detached frescos are preserved. See (Alonzi 2001, pp. 3513). For the history of the smal.